New single "Well, Actually" has already become a memorable highlight from their live show, with vocalist Lot van Teylingen& 39;s vehement cries recounting the all-too-common post-show critique from the male gaze, all gradually intensifying as the song builds to a compelling crescendo of anger.
Speaking on the release of new single "Well, Actually", the band said:
&ldquo This is our love letter to the patriarchy. One must view ‘Well, Actually’ as a friendly yet firm reminder of what unsolicited advice not to give to a band that’s fresh off the stage, often fuelled by mansplaining or perpetuated by heteronormative norms. We are perfectly capable of asking for it ourselves when in need.“
The band's newly announced debut EP 'Nothing, Interesting' restlessly fluctuates from angular post-punk to beguiling post-rock and fast-paced garage, produced and mixed by Daan Duurland  (Personal Trainer) and recorded at Katzwijm Studio, Voorhout in the Netherlands. Even in a city that’s known for its wayward guitar music, Library Card have swiftly become a standout.
Spearheaded by Lot van Teylingen, whose spoken word alternates between sardonic and sincere in a matter of seconds, Library Card leave room for their respective band members to showcase themselves equally, from Emre Karayalçin&rsquo s unorthodox eye-catching rhythms to Kat Kalkman&rsquo s driving bass lines and Mitchell Quitz&rsquo s seemingly shape-shifting guitar performances.
Of the band's debut EP, Lot Van Teylingen said: “'Nothing, Interesting' explores themes of love and loss - often intertwined with a growing fear of not being able to keep up with the world as we know it. However, in this process it’s essential to embrace the absurdity of existence, and not take it too seriously.”
Expressive yet thoughtful, abrasive yet melodious, explosive yet introvert: Rotterdam’s Library Card are a band of contrasts. This is reflected in the group’s structure, the band being a tight-knit unit of four entirely different characters. The quartet started out in the summer of 2021, and it doesn’t seem too far-fetched to state that a little part of that period’s agitation has latched itself to the band’s music, which restlessly fluctuates from angular post-punk to magnificent post-rock and fast-paced garage. Even in a city that’s known for its wayward guitar music, Library Card has quickly become a standout.
Dirk Baart
dirk.baart@gmail.com
AT EASE
adriaan@atease.ltd